Paradisi Gloria - Sacred music by Emperor Leopold I
Ulrike Hofbauer | Monika Mauch | Alex Potter | Hans Jörg Mammel | Lisandro Abadie
Cappella Murensis | Les Cornets Noirs
Johannes Strobl
recording date: August 6 - 8, 2015
recording location: Abbey Church of Muri
Original compositions by Leopold I.: Imperial sounds from the Habsburg Abbey Muri
The Habsburg Emperor Leopold I (1640-1705) made the residential city of Vienna into a first-rate cultural centre during the period of his reign. He was himself a gifted and productive composer. His musical talent was encouraged early on, so that he was recognised as a musician and composer far exceeding the status of a mere dilettante. His works are still regularly performed at concerts at Muri Monastery Church: The ancestors of the House of Habsburg founded Muri Monastery and the Benedictine Abbey remains affiliated with the House of Habsburg until today.
This recording features leading baroque singers performing selected works of Leopold I together with the Cappella Murensis and the Ensemble Les Cornets Noirs under the direction of Johannes Strobl. Two of the compositions have a personal context.
Leopold composed a Requiem Mass following the death of his first wife, and he set readings and responsories after the death of his second wife. Both funereal compositions are amongst the Emperor's strongest works: in them, he is able to represent personal feelings with musical means in an emotionally moving way. The colours of the instrumental ensemble enrich the vocal writing, which is as convincing in its well-thought-out sequence of soloistic sections and choral passages as it is in the beauty of its melodic ideas and harmonic simplicity.
LSonate II
es Cornets Noirs & Johannes Strobl
Sanctus
Ulrike Hofbauer, Monika Mauch, Alex Potter, Hans-Jörg Mammel, Lisandro Abadie, Cappella Murensis, Les Cornets Noirs & Johannes Strobl
Lux aeterna
Cappella Murensis, Les Cornets Noirs & Johannes Strobl
„Der umtriebige Johannes Strobl spornt seine Cappella Murensis mit ihren formidablen Sängern und Les Cornets Noirs zu emotionalen Höchstleistungen an. Eines seiner Markenzeichen ist die große Natürlichkeit, mit der der emotionale Gehalt der Kompositionen transportiert wird. Hierzu gehören adäquate Tempi und eine feinsinnige Artikulation, die den großen Bogen nie aus den Augen verliert.“ (Reinmar Emans, FonoForum)
"Johannes Strobl hat diese durchweg eher klagenden Gesänge mit der Cappella Murensis und Les Cornets Noirs in der Klosterkirche Muri eingespielt, die bereits bei anderen Aufnahmen durch ihre beeindruckende Akustik in Erinnerung geblieben ist. Das Solistenquintett und die Ripieni- sten, jeweils doppelt besetzt, singen diese emotionsgeladenen Werke sehr schlicht und gerade dadurch eindrücklich. Sie werden dabei bestens unterstützt durch die Musiker von Les Cornets Noirs, die auf Nachbauten historischer Instrumente musizieren. Formidabel!"(ouverture Das Klassik-Blog (2016.12.28)